AOTEAROA artists’ portfolios
Second Chance, brooch, 2018, found costume jewellery, sterling silver, laminates (relates to the PERCEPTION topic)
Peter Deckers
Peter Deckers
My work explores the gap between perceived and actual value — the space where judgement forms before thought, where meaning is projected rather than observed. Perception arrives already shaped by memory and expectation, colouring what we think we see before we fully see it.
We live in a moment shaped by hyperreality, where truth and fiction blur and fabricated narratives circulate as fact. These conditions sharpen my interest in how perception is constructed, manipulated, and repeatedly misled. I am drawn to the points where seeing falters — where belief overrides evidence, where explanation becomes more powerful than the thing itself.
I aim to interrupt the stronghold of pareidolia — our tendency to see meaning where none exists — by creating forms that resist easy interpretation. These works challenge the constructs we inherit, the assumptions we repeat, and the values we accept without question. Working with discarded and undervalued materials, I give them renewed presence not by disguising their origins but by activating their potential.
Through the language of jewellery, these fragments gain a perceptual charge. Their worth emerges through craft, attention, and a critical engagement with social disparity. Value is not set by time — it is shaped by perception.
Aotearoa Exchange participants:
Vanessa Arthur, Becky Bliss, Denise Callan, Nadene Carr, Aphra Cheesman, Nina van Duijnhoven, Lisa van Hulst, Sam Kelly, Neke Moa, Brendon Monson, Nellie Peoples, Grace Yu Piper, Amelia Rothwell, Mia Straka, Caroline Thomas, Raewyn Walsh, Sarah Walker Holt, Jess Winchcombe, Moana Keri Mei Zagrobelna.
Aotearoa Exchange is a performative presentation that opens SCHMUCKmuenchen 2026 at the Pinakothek der Moderne, Munich, on Friday 6 March. This project presents more than 40 wearable works by 20 Handshake Project alumni, animating the space with a dynamic alternative to static display and affirming the vitality of contemporary practice from Aotearoa New Zealand.
The project contributes a live, artist‑led intervention that emphasises collaboration, mobility, and shared encounter. Sculptural headpieces by Mia Straka and garments by Jessica Winchcombe form the core of the presentation, carrying alumni works that are activated through choreographed movement. Six performers animate the space, creating shifting, embodied encounters between audience and work.
Aotearoa Exchange affirms the strength of Handshake’s peer‑driven model—supporting alumni visibility, connecting New Zealand artists with international networks, and contributing a living archive of contemporary jewellery practice. It embodies artist‑driven innovation and a resilient approach to global creative practice.
Supported by Creative New Zealand, Makers 101, and the artists.
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