Aotearoa Jewellery Triennial
The Aotearoa Jewellery Triennial (AJT) is a platform for jewellery exhibitions, curatorial projects, and sector engagement. Facilitated by M101, AJT collaborates with museums, galleries, and collectors to present exhibitions that highlight significant jewellery works, historical collections, and curatorial discourse.
M101 actively seeks curators to shape each edition of the Triennial, ensuring a strong curatorial vision that expands jewellery’s visibility and critical recognition within institutional frameworks.
The Aotearoa Jewellery Triennial (AJT), a platform for jewellery exhibitions, curatorial projects, and sector engagement. Facilitated by M101, AJT collaborates with museums, galleries, and collectors to present exhibitions that highlight significant jewellery works, historical collections, and curatorial discourse.
M101 actively seeks curators to shape each edition of the Triennial, ensuring a strong curatorial vision that expands jewellery’s visibility and critical recognition within institutional frameworks.
The Second Aotearoa Jewellery Triennial (2025-26):
He Momo, nā te whānau—it’s a family trait— The 2nd Aotearoa Jewellery Triennial
Curated by Sian van Dyk will take place at:
1) The Suter Art Gallery, Whakatu Nelson (8 March – 8 June 2025)
2) Te Manawa Art Gallery, Papaioea Palmerston North (23 August 2025 – 1 March 2026)
3) Waikato Museum, Kirikiriro Hamilton (20 March – 20 July 2026)
Featured work from: Andrea Daly, Areta Wilkinson, Chris Charteris, Grace Yu Piper, Jane Dodd, Jen Laracy, Joe Sheehan, Keri-Mei Zagrobelna, Matthew McIntyre Wilson, Octavia Cook, Renee Bevan, Sione Monu, Victoria McIntosh and Warwick Freeman (see image left-‘Dead Set’, detail).
The First Aotearoa Jewellery triennial (2022):
‘A Stone, an Echo, a Sign: Aotearoa Jewellery Triennial’, curated by Emma Ng
OBJECTSPACE, Auckland, Sept 10 to Nov 20, 2022. Opening and symposium event Sept 9, 2022
Features new work by: Becky Bliss, Raewyn Walsh, Neke Moa, Rowan Panther, Shelley Norton, Moniek Schrijer.

